PIANOVERSALRegister lists piano compositions from 1880 to today.
PIANOVERSALRegister is committed to the music of all composers worldwide, without restrictions due to gender, nationality, religion, political attitude, aesthetics or prominence. We place particular value on the listing of works that are currently being composed and therefore collect up-to-date information about active composers.
The contents of PIANOVERSALRegister are public. Browse through this unique piano music knowledge base. But please don't forget that all contents are copyrighted. Public use without the permission of PIANOVERSAL is not allowed. In academic and journalistic articles, text quotations are permitted by following the rules for references. Find more important information on copyright issues in the GTC.
Entries in the PIANOVERSALRegister
Share your knowledge and add new compositions or new composers, it is very simple!
You have two options to make entries:
1. Register and become a guest author:
Register on the website with a valid e-mail address. Log in after the completed registration and start immediately to add new composers and new compositions to the PIANOVERSALRegister. You can also refine or emend existing entries. New entries and emendations will be published immediately.
In order to add a new composer or a new composition you will find the blue buttons "ADD COMPOSER" or "ADD COMPOSITION":
You can also extend, refine, or emend existing entries. Click on the small edit icon, which is located behind each listed composition. (You must be logged in on order to be able to see the buttons.)
For adding longer titles and more text, the input frame can be enlarged as desired, simply drag the specified corner:
Always save your entries. After saving you will find your entries immediately in the PIANOVERSALRegister.
Only logged in guests are allowed to add new entries. Each new entry or change is archived by PIANOVERSAL. For reasons of documentation the following data are stored:
Date and type of change
If you are concerned about data protection, please read more in the GTC.
2. Entries without registration:
Simply send a catalogue of compositions to the following e-mail address:
PIANOVERSAL will publish the data in the PIANOVERSALRegister as soon as possible. By submitting a catalogue for publication to the above address, PIANOVERSAL.com’s "General Terms and Conditions" shall be deemed accepted by the sender.
Please always take into account the applicable criteria and rules when compiling information (see below). Incomplete information will not be published.
Guest authors are not allowed to delete composers or compositions. If you deem necessary the complete deletion of an entry, please write an email with exact details to this address:
PIANOVERSAL thanks you for your entries. You can decide whether or not you want to be mentioned as a guest author (your freely chosen user name only is published). You can change this decision at any time in your user profile. Note that the list of guest authors is only updated once in 24 hours.
PIANOVERSAL continues to expand its unique piano music database. We want the PIANOVERSALRegister to be as correct, as complete and as clear as possible.
We would ask you to pay attention to the following publishing rules.
The basic PIANOVERSALRegister languages are German and English.
Entries in French, Italian and Spanish are welcome without further necessity for translation.
Composition titles are added in their original language. German, English, French, Italian or Spanish translation in square brackets [...] is welcome.
Tri valčíky pre klavír [Drei Walzer für Klavier] ✓
Tri valčíky pre klavír [Three Waltzes for piano] ✓
Tri valčíky pre klavír [Trois Valses pour piano] ✓
Tri valčíky pre klavír [Tres Valses para piano] ✓
Please use a German, English, French, Italian or Spanish title if the original title is unknown.
Internationally understandable terms, e.g. "Sonata", "Suite", "Rondo", "Nocturne", „Prelude“, "Concerto", "Duo" etc. do not require translation.
All additional information on the works should be added in German, English, French, Italian, or Spanish.
Composer names appear alphabetically in English and/or German. International Name variations can also be added.
Name variations: Мартину, Μαρτίνου, Марціну, Martinu, Мартіну
Name variations: Stravinsky, Stravinskij, Stravinskis, Stravinski, Stravînskî, Stravinskíj, Стравинский, Стравінський, Стравински, Стравинскай, Στραβίνσκι, Strawinski
All manifestations of composed piano music are listed in the PIANOVERSALRegister.
Every composition is assigned to one of the following categories:
-Piano duets or music for any number of pianos/pianists
-Piano Trios (Piano, Violin, Violoncello)
-Chamber music with piano (piano & any instruments)
-Voice and piano
-Other keyboard instruments
All compositions for solo piano and orchestra / chamber ensemble are considered as piano concertos. This category also includes concertos for several solo instruments and orchestra / chamber ensembles (for example, Triple concertos, concertos for two pianos and orchestras, etc.). The piano part must be soloist’s part. Symphonic works with orchestral piano parts are not listed.
Instrumental solo concerts with other solo keyboard instruments such as harpsichord, celesta, organ, synthesizer, clavichord, fortepiano, harmonium, toy piano, et al. are listed in the category "Other keyboard instruments".
This category lists all works that are composed for piano solo or that can be performed by one single pianist. This includes compositions additionally using other instruments (such as percussion, voice, synthesizer, et al.) or other technical devices (tape, video, live electronics, prepared piano, amplifier et al.).
Corresponding solo compositions using other keyboard instruments (harpsichord, celesta, organ, synthesizer, clavichord, hammer wing, harmonium, toy piano, keyboard, et al. ) are listed in the category "Other keyboard instruments".
Piano Duets / compositions for several pianos or several pianists
This category list compositions for two pianos, for piano four hands as well as compositions for any number of pianos or pianists (piano six hands, works for three or more pianos, works for two pianos and 8 hands, etc.).
This category lists solely piano trio compositions for piano, violin and violoncello.
Corresponding works using other keyboard instruments (for example harpsichord, celesta, organ, synthesizer, clavichord, fortepiano, harmonium, toy piano, accordion, keyboard) are listed in the category "Other keyboard instruments".
Chamber music with piano
This category lists all instrumental chamber music compositions with piano (duo, trio, quartet, quintet, sextet, chamber ensemble, etc.). Piano Trios (piano, violin, violoncello) are listed in their own category (see above).
Corresponding works using not a piano but other keyboard instruments (for example harpsichord, celesta, organ, synthesizer, clavichord, fortepiano, harmonium, toy piano, accordion, keyboard) are listed in the category "Other Keyboard Instruments".
Voice with piano
This category lists all compositions for voice and piano. This includes songs, melodramas, music for choir and piano and vocal chamber music compositions (a piano must be included in the chamber music ensemble).
Corresponding works using other keyboard instruments (for example harpsichord, celesta, organ, synthesizer, clavichord, fortepiano, harmonium, toy piano, keyboard, accordion) are listed in the category "Other keyboard instruments".
Other keyboard instruments
This category lists all compositions for other keyboard instruments like Harpsichord, Celesta, Organ, Synthesizer, Clavichord, Hammerflügel, Harmonium, Toy Piano, Wurlitzer, Electric piano, Keyboard et al. (the list is not exhaustive)
This category lists works that for some reason cannot be classified under any of the above categories.
Arrangements and transcriptions
PIANOVERSALRegister lists only the composers’ original transcriptions and arrangements of their own compositions. Third-party arrangements are not listed in the PIANOVERSALRegister.
PIANOVERSALRegister is a register of contemporary music and at the same time also a historical data base. The composition’s year of origin is to be specified. The year of completion of a composition is considered to be its year of origin. If the year of completion is not reliably known, the most probable year of completion is to be added. Add facts, details and comments about the entire composition process in the "Information about the composition" section. Uncertainties can be specified as well.
In case of revisions of the composition, these details can also be indicated under "Information about the work".
Doe Nocturne (1895) ✓
1894?; rev. 1907; 2nd rev. 1911; Fassung für Streichorchester: 1907, Fassung für Streichquartett: 1911 ✓
Boehmer Drei Klavierstücke (1984) ✓
1959-1984; Klangstück I (1959-UA: Nicolas Hodges, 21.5.1999, Bristol), Nordisches Liedchen (1975?), Tango Deslavado y moroso (1984; UA: Yvar Mikhashoff; New York, 27.2.1986) ✓
Additional information about the composition
Add additional information about a composition in the section "Information about the composition" such as:
movements or different parts of a composition or composition cycle
exact period of origin, further information on the composing process
first performance (place, date and performers)
Information on subsequent revisions and different versions
(This list is not exhaustive.)
Curran For Cornelius (1983) ✓
14’-18'; revised version 1993 - duration 20'; First performance Ursula Oppens.✓
Rimsky-Korsakov Variation no. 1 in A (1899) ✓
in collaboration with Winkler, Blumenfeld, Solkolov, Vitols, Lyadov, Glazunov ✓
Albéniz Suite española (1886) ✓
Granada, Serenata, Cataluña, Sevilla, Sevillanas, Cádiz, Saeta, Aragón, Fantasía, Castilla, Seguidillas, Cuba, Capricho ✓
Adding a new composer
PIANOVERSALRegister saves the following information about composers:
Date of birth*:
place of birth*:
Place of death:
Date of death:
Source & date*:
In the section „information“ PIANOVERSALRegister collects data about official websites, foundations, associations, interest groups, collections, location of the posthumous estate, etc.
The composer’s music publishers are listed here. Recording companies are not listed.
Every entry requires a reference!
The PIANOVERSALRegister strives for an objective traceability of content. Each composer entry requires at least one reference. Each reference needs the date of sighting (web) or the date and place of release (print).
PIANOVERSALRegister lists compositions that meet at least one of the following criteria:
I. Published compositions (music scores, edition catalogues, library collections)
II. Compositions having been listed in public catalogues (print or web)
III. Compositions having been performed in concerts (concert programs)
IV. Compositions having been published as recordings (CDs, LPs, radio, digital media)
V. Compositions having been listed in lexica, on web platforms, on composer’s websites and in academic or journalistic articles (print or web).
VI. Compositions from catalogues made available to PIANOVERSAL by composers, performers or their representatives.
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